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Jumat, 26 September 2014

Free Ebook In the Land of White Death: An Epic Story of Survival in the Siberian Arctic

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In the Land of White Death: An Epic Story of Survival in the Siberian Arctic

From Library Journal

Part of the "Modern Library Exploration" series, this tale of survival in the Siberian Arctic was published in 1917 but is being translated only now. If you're thinking, "Aha, another book inspired by Jon Krakauer's Into Thin Air," that's smart: Krakauer is series editor. Copyright 2000 Reed Business Information, Inc.

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Review

"A beguiling and valuable record of polar exploration before the planes landed, and a miraculous testament to what the human spirit can achieve. Albanov's harrowing story is a welcome addition to the canon of polar literature."-Sara Wheeler, author of Terra Incognita

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Product details

Paperback: 243 pages

Publisher: Modern Library; Expanded edition (October 17, 2000)

Language: English

ISBN-10: 067978361X

ISBN-13: 978-0679783619

Product Dimensions:

5.2 x 0.7 x 8 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

105 customer reviews

Amazon Best Sellers Rank:

#552,218 in Books (See Top 100 in Books)

This is a story of survival in the Artic. In the early 20th century the author sailed as navigator on an ill fated voyage into the Artic. The ship became locked in ice and eventually the author (of the dairy detailing this story) left the ship with several other men to try to reach islands to their south from which they might be rescued. They had a very rough go of it to say the least with bad ice, lack of food and necessities and attacks by polar bears and walrus. At times the story did seem to become somewhat repetitious with their hardships and could be a bit depressing and a bit long. But after all the hardships and disappointments the author and his companion were taken aboard a ship and got back to Russia. The story was well written. The characters were generally developed. For the most part the editing was good. There were some annoying run togethers in this Kindle version, especially in the earlier parts of the book, for example "before meto revealed" for :before me to reveal" The intended line was generally obvious with a 2nd look but could be initially confusing especially when the run together occurred at a line break.

This is an incredible tale of survival, written in a spare style so appropriate to the setting. Picture this: it is 1913 and your ship has been stuck in Arctic ice for over a year, drifting with the floe further north each month. Fearing that you will not escape this icebound existence in the coming year, you decide to get some of your more hardy shipmates together and try to walk to land across the frozen Arctic Ocean, carrying over a month's worth of supplies by sledge and some handmade kayaks to make the final crossing to land. Besides the arduous task of dragging yourself and supplies across the ice, you and your crew face blizzard conditions, polar bears, surprisingly dangerous walruses, malnutrition, and all sorts of surprising challenges (including the dangers of vitamin A poisoning from eating polar bear liver - warning to the wise). Knowing that this is a true story makes it all the more compelling. I read this book every time the winter weather gets me down, just to remind myself that things could be worse than suffering through a week with the Polar Vortex. Highly recommended.

The story is during the years just prior to the First World War, so it's quite a few years later than most Arctic stories. The crew are sailing the seas to the north of Russia; looking for faster trade routes, similar to the searches for the Northwest Passage expeditions in North America. Like most of these stories, the ship and crew were woefully unprepared, ignorant of any Arctic lore, and huge personality clashes made even good days difficult. After abandoning ship and crossing the ice for months, there was one wrong-headed move after another., which creates a lot of nail-biting incidents. It's written in diary style and is quite an easy and interesting read.

This is a different breed of polar literature. "In the Land of White Death" has none of the operatic heroism and tragedy that permeates polar classics like "The Worst Journey in the World", "Mawson's Will", or "Endurance". Albanov was under no illusions of grandeur: the party he was a member of were simply looking for new hunting grounds, and Albanov is keenly aware that if they die out on the ice it will be inglorious, miserable, and pointless, helping nobody and in service of nothing.This brutal lack of sentimentality is what makes "In the Land of White Death" so unique and so important in the polar canon. Albanov continually rages against the men under his leadership for their stupidity, laziness, and treachery. His writing is honest, direct, terse, and immensely readable. In fact, this is probably the only great polar story that could be read in a long day or a couple afternoons.Many of those who died during the "golden age" of polar exploration were revered as national heroes. When the bodies of S. A. Andrée and his crew were returned to Sweden in 1930 after an absurd attempt to hot air balloon to the North Pole, the streets were packed with one of the biggest acts of public mourning in the nation's history. History has been far less kind to these explorations; what was once seen as bravery is now often viewed as hubris and startling incompetence. "In the Land of White Death" captures all of that long before historians had a chance to reevaluate polar literature. Albanov writes with an emotional clarity that was decades ahead of its time.

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Kamis, 18 September 2014

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  • Sales Rank: #10118047 in Books
  • Published on: 1974
  • Binding: Hardcover

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Voice and the Actor

From the Back Cover

"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instinct have been crippled from birth by many processes – by the conditioning, in fact, of a warped society. So, an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way-there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of the whole: an expression of inner life.... After a voice session with her I have known actors speak not of the voice but of growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. —from Peter Brook's foreword to Voice and the Actor Cover design by Richard Rossiter

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About the Author

Cicely Frances Berry CBE was a British theatre director and vocal coach. Berry trained under Elsie Fogerty at the Central School of Speech and Drama, then based at the Royal Albert Hall, London. Peter Stephen Paul Brook, CH, CBE is an English theatre and film director who has been based in France since the early 1970s. He has won multiple Tony and Emmy Awards, a Laurence Olivier Award, the Praemium Imperiale, and the Prix Italia. He has been called "our greatest living theatre director".

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Product details

Paperback: 160 pages

Publisher: Wiley; 1 edition (July 30, 1991)

Language: English

ISBN-10: 0020415559

ISBN-13: 978-0020415558

Product Dimensions:

5.4 x 0.4 x 8.2 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#109,271 in Books (See Top 100 in Books)

This book is remarkable for its discussion of technique, its selection of sample texts ranging from Herrick to Shakespeare to Sitwell, and its canny sense of what makes an authentic performance. There is also a sense of how an actors can develop limiting habits and how these habits can be overcome. In sum, every bit of vocal advice is tied to expressing a thought or emotion, and few read texts with more insight than Cicely Berry.I am a theater goer rather than an professional, yet this book helped me understand the theater better and overcome some personal voice issues. If there is a slight caution with this book, it would be to say that the vowels are approached from a British standpoint.

Only needed it for a class but I did learn a lot. Good exercises.

A crucial set of observations on the subject, with practical exercises, appreciation for language, focus on the subject. Read it.

Needed this book for class. I personally wouldn't reccomend for a reading pastime. I felt like the book is ment to be taught in a class with a teacher.

Wonderful book not just for actors, but anyone who's job or life involves public speaking. Lots and lots of drills and information for improving speech patterns and enunciation.

Great book for anyone wanting to speak with story and power. Must have theatre students.

The book arrived quickly and was the right book for my class. Thank you.

Great thanks

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